This work investigates the quest for a dialogue with the unknown, the gap within finitude defined for centuries as “the sublime”.
Reversing the predominantly male Romantic trope of this concept, I explore the intuitive urge to seek for the intangible source of potentiality. Are we able to spell out the un/finitude and why does it remain an eternal quest in human condition?
In this video work, I created a language of decibels from a hidden message and its performative translation into arm motions inspired by a common human behaviour towards the “sublime”. The viewer witnesses this strange conductor attempting a perhaps impossible task.
It is relevant in the current time where we tend to distance ourselves from the Outside, to reflect on our ability to “be” in the environment and question the power of human self-reflective phonetic language as ultimate tool to tell the world and therefore be in the world. But as says Karen Barad in What is the measure of the Nothingess: Infinity/Virtuality/ Justice, “‘We’ are not outside observers of the world. Nor are we simply located at particular places in the world; rather, we are part of the world in its ongoing intra-activity”.
Test Dialogue #1: Talking to the sublime,
100cm x 100cm x 200cm,